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    拉進彼此的距離——交互式圍墻第1張圖片
    © RYAN MURPHY

    交互圍墻——SOCIAL WORKS工作室
    SOCIAL WORKS
    INTERACTING FENCES

    由專筑網亞森君,小R編譯

    Interacting Fences 是一個受“社交距離”啟發的雕塑,在澳大利亞珀斯展出。 這是藝術家 Georgia Taylor-Berry和Jesse Taylor的處女作。該雕塑屬于年度戶外展覽“海邊雕塑 Cottesloe”,并獲得了明德魯基金會支持的首屆海上藝術家雕塑獎。 Interacting Fences 預計將在 2021 年 3 月 5 日至 22 日期間接待 200,000 名游客。

    Interacting Fences is a ‘social distance’-inspired sculpture on display in Perth, Australia. It is the debut artwork by artists Georgia Taylor-Berry and Jesse Taylor. The sculpture is a part of the annual outdoor exhibition, Sculpture by the Sea, Cottesloe, and was awarded the inaugural Sculpture by the Sea Artists Award supported by the Minderoo Foundation. Interacting Fences is expected to receive 200,000 visitors between 5-22 March, 2021.

    拉進彼此的距離——交互式圍墻第2張圖片
    © RYAN MURPHY

    Interacting Fences鼓勵互動、連接和交流,特別是在冠狀病毒感染期間尤其有意義。這個雕塑是對目前存在于文化中的距離和分裂的一種表達,它通過安全的互動提供了一條前進的道路。

    Interacting Fences encourages interaction, connection and communication, especially poignant during COVID times. The sculpture is a comment on the distance and division that currently exists within our culture, it offers a way forward through safe interaction and unity.

    拉進彼此的距離——交互式圍墻第3張圖片
    © RYAN MURPHY

    拉進彼此的距離——交互式圍墻第4張圖片
    © RYAN MURPHY

    藝術家

    Georgia Taylor-Berry是阿姆斯特丹Paul de Ruiter建筑事務所的建筑師。她和Jesse都在西澳大利亞的珀斯長大,都在那里學習建筑。Jesse現在住在洛杉磯,在那里他經營著自己的建筑和設計工作室,名為Social Works。他們積累的工作側重于社會、環境和文化可持續性的交叉點。

    The Artists
    Georgia Taylor-Berry is an architect practicing in Amsterdam at Paul de Ruiter Architects. Both her and Jesse grew up in Perth, Western Australian where they both studied architecture. Jesse now lives in Los Angeles where he runs his own architecture and design studio called Social Works. Their accumulative work focuses on the intersections of social, environmental, and cultural sustainability.

    拉進彼此的距離——交互式圍墻第5張圖片
    © RYAN MURPHY

    雕塑

    由于COVID - 19的旅行限制,Interacting Fences來源于遠程構思和執行,包括雕塑的制作和在珀斯開放。COVID – 19的流行和必要的社交距離做法是Interacting Fences的根源。這個雕塑模擬了人們通過手機、電腦或其他媒介所經歷的物理距離上的互動。

    The Sculpture
    Due to COVID travel restrictions, Interacting Fences was conceived and executed remotely, including the sculpture’s fabrication and opening in Perth. The COVID pandemic and required social distancing practices are the geneses of Interacting Fences. The sculpture emulates the physically-distant interactions that we have experienced through our phones, computers, or over our fences.

    拉進彼此的距離——交互式圍墻第6張圖片
    © RYAN MURPHY

    拉進彼此的距離——交互式圍墻第7張圖片
    © RYAN MURPHY

    拉進彼此的距離——交互式圍墻第8張圖片
    © RYAN MURPHY

    “通過將傳統的剛性柵欄拉伸成一個面向內部的弧形,雕塑創造了一種低語墻的效果。使用者坐在柵欄的兩端,雖然距離很遠,但聽起來很近,因為弧形將聲音從雕塑的一端反射到另一端!盙eorgia Taylor-Berry說,“作為設計師,關注如何讓人們安全地聚在一起是很重要的一件事,尤其是在這樣的時期!

    Jesse Taylor 解釋說:“Interacting Fences 提供了一種與社會保持距離的交流工具,但這不僅僅是對 COVID 的反應。我們正在尋找方法,保證在獨立的環境中促進人際交往!

    “By pulling and stretching traditionally rigid fencing into an arc that faces in on itself, the sculpture creates a whispering wall effect. Users sit at either end of the fence, physically distant, but audibly close, as the arc bounces sound from one end of the sculpture to the other,” says Georgia Taylor-Berry. “As designers it’s important to focus on how we can bring people together, safely, especially during these times.”
    Jesse Taylor explains, “Interacting Fences offers a tool for socially-distant communication, but it this isn’t purely a reaction to COVID.
    We’re looking at ways to increase human connection in a culture that continues to grow divided through its focus on ownership and privatisation.”

    拉進彼此的距離——交互式圍墻第9張圖片
    © RYAN MURPHY

    拉進彼此的距離——交互式圍墻第10張圖片
    © RYAN MURPHY

    為此,“Interacting Fences”顛覆了澳大利亞郊區常見的波形圍欄。它曾經是一種物理上有毒的產品,因為它含有石棉成分,文化隱喻也是如此,將建筑環境劃分為公共區域和私人區域。

    To that end, Interacting Fences subverts the iconographic corrugated fencing present across Australian suburbia. What was once a physically toxic product (due to its asbestos makeup), continues to be so culturally, through its demarcation of boundaries that divide stolen land into property, and splits built environments into areas of public versus private.

    拉進彼此的距離——交互式圍墻第11張圖片
    © JONATHAN MARSHALL

    拉進彼此的距離——交互式圍墻第12張圖片
    © JONATHAN MARSHALL

    我們必須重新思考我們社會的意圖,以及它將所有權置于人際聯系之上的優先次序。Interacting Fences將熟悉和分裂的圍欄轉化為統一和共享經驗的機制。

    We must re-think the intention of our society and its prioritisation of ownership over human connection. Interacting Fences translates the familiar and divisive fence into a mechanism of unification and shared experience.

    拉進彼此的距離——交互式圍墻第13張圖片
    © JONATHAN MARSHALL

    Jesse和Georgia相信我們的物理環境對社會的微妙而深遠的影響,并通過他們的工作繼續探索這些主題。 Interacting Fences 將在西澳大利亞州珀斯的“海邊雕塑”Cottesloe展覽中展出。

    Jesse and Georgia believe in the subtle but profound effects of our physical environments on society and continue to explore these themes through their work. Interacting Fences will be on display in Western Australia, Perth during the Sculpture by the Sea, Cottesloe exhibition until the 22nd of March.

    拉進彼此的距離——交互式圍墻第14張圖片
    © BENJAMIN HORGAN

    拉進彼此的距離——交互式圍墻第15張圖片
    © BENJAMIN HORGAN

    拉進彼此的距離——交互式圍墻第16張圖片
    © BENJAMIN HORGAN

    拉進彼此的距離——交互式圍墻第17張圖片
    © BENJAMIN HORGAN

    拉進彼此的距離——交互式圍墻第18張圖片
    © BENJAMIN HORGAN

    拉進彼此的距離——交互式圍墻第19張圖片
    © BENJAMIN HORGAN

    拉進彼此的距離——交互式圍墻第20張圖片
    © BENJAMIN HORGAN

    拉進彼此的距離——交互式圍墻第21張圖片
    © BENJAMIN HORGAN

    拉進彼此的距離——交互式圍墻第22張圖片
    © BENJAMIN HORGAN

    拉進彼此的距離——交互式圍墻第23張圖片
    © BENJAMIN HORGAN

    拉進彼此的距離——交互式圍墻第24張圖片
    © SOCIAL WORKS

    拉進彼此的距離——交互式圍墻第25張圖片
    © SOCIAL WORKS


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