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    SICIS為曼谷歷史悠久的Sri Mariamman寺廟制作了精美的馬賽克
    SICIS creates elaborate mosaics in historic Sri Mariamman Temple in Bangkok

    由專筑網Cortana,小R編譯

    馬賽克品牌SICIS制作了高度復雜的馬賽克藝術品,以取代泰國最古老的印度教神廟的彩畫。

    SICIS正在曼谷歷史最悠久的Sri Mariamman寺廟的內墻和拱頂上安裝馬賽克,該寺是印度以外世界上最大的印度教圣地。

    Dezeen promotion: mosaic tile specialist SICIS is creating highly complex mosaic artworks to replace paintings in Thailand's oldest Hindu shrine.
    SICIS is installing mosaics across the interior walls and vaulted ceilings of the historic Sri Mariamman Temple in Bangkok, which is the largest Hindu shrine in the world outside of India.

    手工藝人的匠心——曼谷寺廟鬼斧神工的馬賽克壁畫第1張圖片

    這些馬賽克是對因為時間流逝而慢慢淡化的壁畫原作的精確復制,經過精心設計,花費了數年時間才完成。

    這些替代品將具有更長的使用壽命,使寺廟文化能夠經久不衰。

    “馬賽克被公認為是一幅永恒的畫作,它不會變質,隨著時間的推移,它能保持色彩的絢麗和所表現人物的活力。”SICIS說。

    Taking years to complete, these mosaics are carefully designed to be precise copies of the original frescoes that have been slowly degrading over the years.
    These replacements will have a significantly longer lifespan, allowing the temple to endure for the future.
    "The mosaic is recognised as an eternal painting, which does not deteriorate and maintains the splendour of the colours and the vigour of the figures represented over time," said SICIS.

    手工藝人的匠心——曼谷寺廟鬼斧神工的馬賽克壁畫第2張圖片

    Sri Mariamman寺廟于1879年由Vaithi Padayatchi建造,他是眾多為逃避印度殖民統治而來到泰國的泰米爾印度教移民之一。

    寺廟由一座六米高的入口塔(稱為 "gopura")和三座神圣的建筑組成,主殿供奉著Sri Maha Mariamman,另外兩座則供奉著Ganesh和Kartik。

    SICIS的任務是使用數字工具和瓷磚工藝的專業技術更換神殿中的所有壁畫。

    The Sri Mariamman Temple was built in 1879 by Vaithi Padayatchi, one of many Tamil Hindu immigrants that came to Thailand to escape colonial rule in India.
    The temple comprises a six-metre-high entrance tower, known as a gopura, and three sacred buildings. The main shrine is dedicated to Sri Maha Mariamman, while the other two pay tribute to Ganesh and Kartik.
    The task given to SICIS was to replace all of the frescoes in the temple, using both digital tools and tiling craft expertise.

    手工藝人的匠心——曼谷寺廟鬼斧神工的馬賽克壁畫第3張圖片

    為了確保馬賽克與原作完全一致,藝術家們制作了可以運送到公司位于意大利北部拉文納的實驗室的復制品。

    在那里,80多位SICIS的馬賽克藝術家共同使用黃金和來自穆拉諾島的玻璃制成的瓷片,對每一個形狀和細節進行精確的配色。

    該工藝使用了SICIS的雙間接法專利,這是公司總裁Maurizio Placuzzi在20世紀80年代開發的一種高超的馬賽克技術。

    To ensure the mosaics would be identical to the original artworks, artists created replica paintings that could be transported to the company's laboratories in Ravenna, northern Italy.
    There, more than 80 SICIS mosaic artists have worked together to precisely colour match every shape and detail, using tesserae made from gold and Murano glass.
    The process involved using the company's patented double indirect method, a highly skilled mosaic technique developed by company president Maurizio Placuzzi in the 1980s.

    手工藝人的匠心——曼谷寺廟鬼斧神工的馬賽克壁畫第4張圖片

    迄今為止,SICIS已經完成了該項目前兩個階段的工作。在第一階段,SICIS為寺廟入口處創作了兩件藝術品,分別為Sri Maha Mariamman和Shiva的形象,外部也使用了金和金葉馬賽克。

    最新的一期工程中,寺廟的中央殿堂完成了重修。穹頂上用九尊印度教神像裝飾,墻壁和壁龕上則用其他藝術品裝飾。

    SICIS has so far completed the first two phases of the project. In the first phase, two artworks were created for the temple entrance, in the images of Sri Maha Mariamman and Shiva. Gold and gold leaf mosaic were also applied to the exterior.
    The latest phase sees the temple's central nave completed rejuvenated. Nine Hindu deities adorn the vaulted ceiling, while additional artworks decorate the walls and niches.

    手工藝人的匠心——曼谷寺廟鬼斧神工的馬賽克壁畫第5張圖片

    迄今為止,該項目已經使用了600多萬塊馬賽克瓷磚,所有這些瓷磚都是手工挑選、切割和放置的。在這一過程中所使用的技能與美術或珠寶制作中使用的技能相似。

    “馬賽克大師們對這些圖像進行了重新創作,對人物面部表情、物體和符號的位置進行了精細刻畫。”SICIS說。

    SICIS預計將至少再花兩年時間進行項目的下一階段工作,該項目將在寺廟的兩個側拱頂上制作20個神像,并在寺廟主殿的底部增加12個微型馬賽克。

    So far, more than six million mosaic tiles have been used, all of which have been selected, cut and placed by hand. The skills used in this process are similar to those used in fine art or jewellery making.
    "The mosaic masters recreated the images, paying maniacal attention to the expressions of the faces, the position of objects and symbols," said SICIS.
    SICIS expects to spend at least two more years working on the next phases of the project, which will see 20 deities created on the two side vaults of the temple and 12 micromosaics added to the base of the temple's main nave.

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